Flyway Film Festival takes place October 23-26, 2014 in Pepin, Stockholm, and Maiden Rock, Wisconsin.
Flyway’s own executive director Rick Vaicius, along with Flyway festival programmer Jim Brunzell III, went to the Sundance Film Festival this year, braving the film-crazed crowds so that you and I, dear readers, could huddle on the frozen prairie and hear tales of their heroic adventures. They came back with some excellent ideas for Flyway 2014, as follows.
Which Sundance films would you most like to bring to the Flyway?
Rick: My favorite film was Boyhood, by Richard Linklater. I’d say it’s one of the best films I’ve seen in a decade. It was a really interesting way to make a movie: Linklater shot it over 12 years using the same actors in the same roles, so you see this boy grow up from age six to age 18. It was a joy to watch; nothing particularly dramatic, just a remarkable story about a kid’s life. Ethan Hawke and Patricia Arquette played the parents.
Linklater has a way of allowing the characters to develop into warm, compelling people before your very eyes. It’s hard to put a finger on what makes it so wonderful, other than to say it’s just a satisfying, slow burn of a movie. It’s 164 minutes long, but it doesn’t seem long.
But it’s unlikely we could get it at Flyway, because IFC will probably release it in theaters this spring.
How about if we get Richard Linklater as the Flyway 2014 keynote speaker and ask him to bring it along?
Rick: Not a bad idea. Do you know anybody who knows him?
Sure. Yeah, definitely. Wait, do I? Maybe.
Rick: Okay, then.
My sincere hope is that we can find a way to program Land Ho, a comedy by Flyway alum Martha Stephens, who co-directed it with Aaron Katz. We brought Martha to Flyway in 2012 with her film Pilgrim Song, and she ended up being one of those pleasant surprises — she just fit right in with the Flyway filmmaker scene. She’s charming, funny, super-intelligent.
I would be very keen to open the 2014 Flyway with Land Ho. Of all the films I saw at Sundance and Slamdance, it’s the most Flyway-like.
Rick: I guess because it’s a quirky, funny crowd-pleaser, and it’s a relatively low-budget production. It’s about two guys in their 70’s who take a road trip to Iceland.
Are you saying that the Flyway audience is made up of quirky, low-budget Nordic oldsters?
Rick: No. Anyway, Martha Stephens is a brilliant young writer/director, and there’s a lot of great acting in this film. It was sold to Sony Pictures Classics, so we’ll see what kind of festival rights the directors retained. I really want to bring it here.
Jim, what are your favorite Flyway picks from Sundance?
Jim: A Norwegian film called Blind, by Eskil Vogt. It was a nice jolt of originality. It’s about a blind woman who’s working on a novel, and as she’s working on it, the lines blur between fantasy and reality. She assumes that her husband is going to work every day, but then she suspects he’s actually there in the room, watching her. It’s very compelling.
What’s Flyway-ish about it?
Jim: Like lots of Flyway films, it’s from a first-time filmmaker who already has a great track record. Eskil Vogt has co-written two other popular Norwegian films, both hits, both played at Sundance and got U.S. distribution. He’s a really exciting talent, and he’s going to keep making better and better films.
I appreciate films that are challenging, that aren’t all wrapped up and delivered like a package with a bow on it. Blind is structurally a little bit like Broken Circle Breakdown, a film we showed at Flyway last year and is now up for an Oscar. The subject matter is completely different, but the way it plays with time sequencing is similar.
Any documentaries you’d like to bring here?
Jim: I’d love to screen The Overnighters, by Jesse Moss. It takes place in Williston, North Dakota, where thousands of migrant workers are flocking to get jobs in the oil boom. A pastor in a local church is trying to help support the job-seekers, but it’s upsetting to the locals to have these strangers in their church. The film raises questions about religion and faith and who we can trust.
A strange thing about the film is that you think you’re watching a story about these men, and this pastor, and this church, and right around the beginning of the third act there’s a huge twist in the story that makes you completely re-think what you just watched.
Do you agree with Rick’s opinion about Boyhood and Land Ho?
Jim: Absolutely. I still had four days of the festival left when I saw Boyhood, and I just knew that nothing else I saw after that could possibly top that experience. It really blew me away.
I agree with Rick about Land Ho, too. Flyway can say: we recognized Martha Stephens two years ago, and now she’s nationally known. It’s kind of a goofy, fun film, but I liked it. I was really sick the day I saw it, and if it hadn’t been extremely entertaining, I would have fallen asleep or left the theater.
Any other recommendations from either of you?
Rick: I’d like to bring The Sleepwalker, another Norwegian film by a woman named Mona Fastvold. It’s the kind of film where you walk out of the theater shaking your head, like, what was that? I also liked White Bird in a Blizzard, by Gregg Araki. I’m not a huge Gregg Araki fan, but this could be a breakout film for him. And the star, Shailene Woodley, was great. Kind of a Jennifer Lawrence type, but I like her better than Jennifer Lawrence.
Jim: I am a huge Gregg Araki fan, but I thought White Bird in a Blizzard was kind of boring. I enjoyed both the films shot in Minnesota, Dear White People and Kumiko, the Treasure Hunter. Kumiko was out of this world. The story is absurd: a woman comes to Minnesota from Japan looking for the treasure that was buried in the Coen Brothers’ movie, Fargo. I was completely glued to the screen from the first minute. The lead actress, Rinko Kikuchi, is fantastic.
Did you run into any Flyway alumni at the parties?
Rick: Emily Best (Flyway 2013 keynote speaker) was omnipresent. She hosted a party to launch Seed&Spark’s new Bright Ideas magazine. Great party — I’d say it was the hottest ticket in town. I also saw Brian Newman, Paul Taylor, Justine Nagan and other Kartemquin people. Jeremy Wilker was there, of course. I finally got to meet Ben Kalina, who directed the doc Shored Up that we showed at the Flyway last year. Shored Up got a special Sundance award for sustainability. The MN Film & TV Board’s party for Dear White People was a blast, too.
Well, now we’re just jealous. This interview is over.
NO SUBMISSION FEE through March 31!
Don’t procrastinate: if you apply by March 31, the submission fee is exactly $0. Beginning April 1, the fees are as follows:
$30 for feature-length films and new media projects
$20 for WI/MN Showcase features
$15 for short films and children’s films
$10 for WI/MN Showcase shorts
The final deadline for submission is June 30. For details on how to submit, please see this form.
Now in its seventh year, the Flyway Film Festival is a dynamic, filmmaker-friendly festival along the Mississippi River in Pepin and Stockholm, Wisconsin. Flyway was named one of MovieMaker Magazine’s 25 “coolest film festivals” in 2013. You can check out the films and events from the 2013 festival here.
Be a part of the Flyway community and submit your film to the 2014 festival!
PEPIN, WI, October 15, 2013—She hasn’t said yes – but she hasn’t said no, either. Wisconsin State Senator Kathleen Vinehout (D-WI 31st District) is emerging as a possible contender in the upcoming Wisconsin gubernatorial race. Now that former Trek Bicycle executive Mary Burke (D) has thrown her hat into the ring, state Democrats are wondering who has the best chance of taking down Republican Governor Scott Walker. Rumors abound that Vinehout will make an announcement soon.
You can ask Senator Vinehout yourself at the Flyway Film Festival’s opening night “Kickoff Gala” on Thursday, October 17 at 6:00pm. Vinehout, an ardent supporter of the arts in Wisconsin, will make opening remarks before the keynote speech and awards ceremony. She will also be present to answer questions after the Festival’s closing night film Citizen Koch, a controversial documentary about big money in Wisconsin politics. Citizen Koch will screen at 7:00pm on Sunday, October 20th, at the Widespot Performing Arts Center in Stockholm, WI.
The Kickoff Gala will take place at Villa Bellezza, a new Mediterranean-style villa and winery in Pepin, Wisconsin. The evening will begin with a reception of hors d’oeuvres and 2013 signature Flyway cocktails, featuring Twin Cities-based Joia sodas, organic Prairie vodka, and other local brews.
San Francisco-based Emily Best will deliver the keynote speech. Best is the CEO and founder of Seed&Spark, a cutting-edge platform for crowdfunding, distribution, and interaction for independent filmmakers.
Flyway Film Festival Director Rick Vaicius will present the awards for best films and accomplishments in several categories. Each winning filmmaker will take home a “Flyway Axe” award designed by David Culver, a nationally-recognized artist living in Bay City, Wisconsin. Live music follows the awards ceremony.
Full Festival pass holders, Kickoff Gala ticket holders, and specially-invited Festival guests and sponsors are welcome at this event. Tickets are $35 and can be purchased from the Flyway website or at the door.
Herdie and Carol, the proprietors of the award-winning Maiden Rock Winery & Cidery, have generously invited the public to a wine and cheese reception at their beautiful orchard from 4:00 to 6:00pm on Friday, October 18th. Toast the opening night of Flyway 2013 with a glass of local brew, then head to the Widespot to see The Rocket, the Oscar-buzz film that’s opening this year’s Flyway!
To find the Maiden Rock Winery & Cidery, click here.
Hope to see you there!
For info on all films, click here.
For info on the panels and workshops, click here.
For info on the Kickoff Gala, click here.
For info on where to stay, click here.
For everything else, there’s Google. Ha, ha.
See you at the Flyway!
Two Oscar-buzz films make their regional debut; North American premiere of Stephen Rea vampire drama
PEPIN, WI, September 24, 2013— The opening and closing films at this year’s Flyway Film Festival come from two different worlds: an endearing drama about a Laotian kid whose family thinks he’s bad luck (The Rocket), and a hair-raising takedown of big money in Wisconsin politics (Citizen Koch). In between, the sixth annual Flyway Film Festival will treat audiences to an array of more than 50 dramas, comedies, and documentaries, including several premieres, two 2013 Academy Award submissions – and a star-studded vampire film. The festival runs from October 17th to October 20th in Pepin and Stockholm, Wisconsin.
“We scour the world for the best up-and-coming independent writers and directors,” says festival programmer Jim Brunzell III. “Two of our selections were just announced as Academy Award submissions for best foreign-language film, so we know we’ve made some popular picks.” One of those films, The Rocket, will be the Flyway’s opening-night film on October 18th; the other, a Belgian romantic drama called Broken Circle Breakdown, will screen on October 19th at 7pm.
Brunzell won’t commit to a particular favorite – “they’re all outstanding” – but he mentions being particularly excited about a few films:
A Field in England (directed by Ben Wheatley) is a “really terrific genre-bending film,” according to Brunzell. “I’m over the moon about being able to program it. It’s a challenging piece, something of a horror film, something of an experimental film, set during the British Civil War of the 1640s. Not for everyone, but it’s definitely one of the standouts this year.”
White Reindeer (directed by Zach Clark), a quirky tragicomedy about a woman obsessed with Christmas, is “the funniest thing I’ve seen all year,” reports Brunzell.
The Institute (directed by Spencer McCall) is a documentary about a fantastical alternative reality game that was played in San Francisco for several years. “People playing the game got totally wrapped up in following mysterious clues around the city,” Brunzell says. “It’s a fascinating take on society and the way we’re willing to blur the lines between fantasy and reality. It’s a wild, ambitious film.”
Zero Charisma (directed by Katie Graham and Andrew Matthews), a comedy about a down-at-heels video gamer, struck Brunzell as meaningful, although he’s not a gamer himself. “It’s about the time in a person’s life where they think they’ve got everything under control – and then someone comes in and upends it,” according to Brunzell. “I totally got where this guy was coming from.”
Rick Vaicius, Flyway Film Festival’s executive director, agrees with Brunzell that Flyway 2013 is the most impressive lineup to date. “We’ve established a reputation among up-and-coming directors for being a great filmmaker-centric festival,” says Vaicius. “Regionally, Matt Stenerson and Jeremy Wilker chose Flyway for the world premiere of Matt’s award-winning comedic script, Death to Prom. Internationally, we’ve got the North American premiere of a hot new vampire film, Styria, starring Stephen Rea and Elinor Tomlinson.”
Vaicius adds that there’s a strong regional environmental theme this year. “Two films feature this region: Fifty Lakes, One Island is by a Chicago filmmaker (George Desort) who spent 80 nights on Isle Royale,” says Vaicius. “It’s screening with Mysteries of the Driftless (Rob Nelson), a beautiful short film about the strange geology of our area in Wisconsin.